Shown at film festivals in 2018, this film by Noga Ashkenazi ’09, which is set in Grinnell, is now available on iTunes, Amazon, and Google Play.
Artists & Scholars
In the fall of 2017, Jon Richardson ’10 left Boston, his home of seven years, and moved to Cape Cod; now he has released his second album, When I Left. That winter, some terrible storms hit the Cape, and it was during this turbulent first winter that he wrote most of the songs that became this album: jonrichardson.bandcamp.com/releases.
The moment she discovers the existence of Richard, a long-lost relative, at Israel’s Holocaust Museum, Margaret McMullan ’82 begins an unexpected journey of revelation and connectivity as she tirelessly researches the history of her ancestors, the Engel de Jánosis. Propelled by a Fulbright cultural exchange that sends her to teach at a Hungarian university, McMullan, her husband, and teenage son all eagerly travel to Pécs, the land of her mother’s Jewish lineage. After reaching Pécs, a Hungarian town both small and primarily Christian, McMullan realizes how difficult her mission is going to be. Where the Angels Lived (Calypso Editions, 2019) documents the relentless determination of a woman picking up the pieces of her family’s fragmented history throughout the Hungarian Holocaust.
In Winterset (NeoLeaf Press), Dennis Maulsby ’64 relates the supernatural adventures of Father Patrick Donahey in 12 linked stories. The Irish-born priest has retired after many years of service in South America to Winterset, Iowa, but it’s not to be the life of books and long rural walks that he expects. The community and the surrounding area are awash with supernatural creatures. Some friendly, some not, but all must be dealt with in order to protect his new parish, state, country, and the wider world from chaos and destruction.
This simple, lyrical picture book by Natalie Publow Ziarnik ’88 and illustrated by Madeline Valentine is as warm, reassuring, and filled with joy as a vacation at the beach. Readers will join a little girl and her siblings as they wind down from a perfect day — hanging up towels, eating dinner, and getting ready for bed — each activity sparking a memory of their day — playing catch with the dog, chasing waves, and looking at sailboats along the shore. And when the lights of the family beach house go off, young listeners will be lulled to sleep themselves. For ages 3–8. Published by Schwartz & Wade in 2018.
The challenge of teaching international studies is to help students think coherently about the multiple causes and effects of global problems. In International Studies: Global Forces, Interactions, and Tensions (Sage Publishing, 2018), award-winning scholars Scott Straus and Barry Driscoll, assistant professor of political science, give students a clear framework that pinpoints how key factors — forces, interactions, and tensions — contribute to world events, with both global and local consequences.
Many of Chicago’s greatest or most unusual restaurants are gone, but they’re definitely not forgotten. From steakhouses to delis, these dining destinations attracted movie stars, fed the hungry, launched nationwide trends, and created a smorgasbord of culinary choices. Stretching across almost two centuries of memorable service and adventurous menus, this book revisits the institutions entrusted with the city’s special occasions. In Lost Restaurants of Chicago (History Press, 2018), Greg Borzo ’76 dishes out course after course of fondly remembered fare, from Maxim’s to Charlie Trotter’s and Trader Vic’s to the Blackhawk.
Memory and Nation Building: From Ancient Times to the Islamic State (Rowman & Littlefield, 2018) addresses the complex topic of collective memory, first described by sociologist Maurice Halbwachs in the first half of the 20th century. Author Michael Galaty ’91 argues that the first states appropriated traditional collective memory systems in order to form. With this in mind, he compares three Mediterranean societies — Egypt, Greece, and Albania, each of which experienced very different trajectories of state formation. Galaty is professor of anthropology at the University of Michigan and directs its Museum of Anthropological Archaeology.
Using key perspectives from linguistic anthropology, Narratives of Conflict, Belonging, and the State: Discourse and Social Life in Post-War Ireland (Routledge, 2018) illuminates how social actors take up the ideals of law, equality, and democratic representation in locally meaningful ways to make their own national history in ways that may perpetuate violence and inequality. Focusing specifically on post-war conditions in Ireland, Brigittine M. French contextualizes commonplace practices by which citizens are made to learn the gap between official membership in and political belonging to a democratic state. French is a professor of anthropology and chair of the Peace and Conflict Studies Program.
The Grinnell Historical Museum mounted an exhibition of 25 botanical photographs taken by Cornelia Clarke 1909 and held at Stewart Gallery in downtown Grinnell Jan. 11 to Feb. 7. Clarke, a longtime volunteer curator of the College herbarium and Grinnell native, was well-known principally as a nature photographer who regularly published photos in Nature magazine, Science Newsletter, and many other science books.
When she died in 1936, she willed 3,300 plate-glass negatives to Henry Conard, professor of botany at Grinnell College. When Conard left for the University of Iowa in 1944, he took the negatives with him, but when he retired to Florida in the 1950s, he abandoned the bulky negatives, which were soon forgotten.
When the University of Iowa closed its botany department and its herbarium in the early 2000s, about 1,100 of these negatives came to light — wrapped in acidic liners, and stacked in boxes, one atop another — and were rescued and accessioned by the State Historical Society of Iowa. Until 2017, however, these negatives were thought to have been Conard’s. A few years ago volunteers from the Grinnell Historical Museum inventoried the collection and discovered that in fact these were Clarke’s photographs. Hence the title of this year’s exhibition, Forgotten Photographs.
The museum scanned 100 of Clarke’s negatives thanks to a College micro-grant. Clarke’s photos of animals, which constituted about two-thirds of her bequest to Conard, have not been recovered, and their fate is unknown.