Authors and Artists

Spring 2020

Books

Rebecca Warne Peters ’00 argues in Implementing Inequality: The Invisible Labor of International Development (Rutgers University Press, 2020) that if international development is to meet its larger purpose, it must first address its internal inequalities of work and professional class. Through an ethnographic study in postwar Angola, she introduces the innovative concept of the “development implementariat”: those in-country workers, largely but not exclusively local staff members, charged with carrying out development’s policy prescriptions. The implementariat is central to the development endeavor but remains overlooked and under-supported.

One hundred years before Freud’s striking psychoanalytic case histories, the narrative psychological case history emerged in the second half of the 18th century in Germany as an epistemic genre that cut across the disciplines of medicine, philosophy, law, psychology, anthropology, and literature. The presentation and analysis of several significant psychological case histories, their theory and practice, as well as the controversies surrounding their utility, validity, and function for an envisioned “science of the soul,” constitutes the core of Making the Case: Narrative Psychological Case Histories and the Invention of Individuality in Germany, 1750–1800 (de Gruyter, 2019)
by Rob Leventhal ’75.

In Memoirs of How It All Began (Cascade Books, 2019) Mark Whitters ’77 reimagines the life of Jesus, using a pedagogy that is increasingly used for postmillennials called “reacting.” Luke steps out of the text to communicate directly with his companion Theophilus — and with the reader — as if everyone is meeting Jesus for the first time.

Merle Fischlowitz ’53 shares his memories of technology and the changes he has witnessed throughout his life. He says, “One thing that moved me to write the book was when my 4-year-old granddaughter showed me she knew how to use her mother’s passcode to open her iPhone. I have dedicated the book to my eight grandchildren and great-grandchildren who were born in this century.”

In Seeing Like a Citizen: Decolonization, Development, and the Making of Kenya, 1945–1980 (Ohio University Press, 2019), Kara Moskowitz ’06 approaches Kenya’s late colonial and early post-colonial eras as a single period of political, economic, and social transition. In focusing on rural Kenyans — the vast majority of the populace and the main targets of development interventions — as they actively sought access to aid, she offers new insights into the texture of political life in decolonizing Kenya and the early post-colonial world.

In his new book (St. Johann Press, 2019), Jeff Frantz ’66 emphasizes “reading the Bible in light of its historical context and mostly as metaphorical narrative, freeing God from the bonds of supernatural theism and viewing Jesus not as divine but as fully human.”

Mistaking an ad to join the Loneliest Band in France for one to sell his blood, the novella’s narrator finds himself instead under the sway of the band, drinking heavily and being recruited to play a battle-of-the-bands-esque concert (that night) at the local Café Bovary. Not only is there prize money attached to the concert, the bandmates also see this as an opportunity to debut a new song — one, they claim, that can hurt — even kill — its listeners. The Loneliest Band in France (Texas Review Press, 2020) won the 2019 Clay Reynolds Novella Prize and is the first book by Dylan Fisher ’14.

Well+Good founders Alexia Brue ’95 and Melisse Gelula have curated a collection of 100 easy and delicious recipes from the luminaries across their community, to help their readers eat for wellness, in Well+Good Cookbook: 100 Healthy Recipes + Expert Advice for Better Living (Clarkson Potter, 2019).

Winter 2019

Books

Who owns Maine’s spectacular Aguahega Island — the National Park Service, the rich summer people, or the Beal family? The novel by Kathleen Snow ’65 was reissued in a new edition in 2019.

Art

Congratulations to Grinnell College photographer Justin Hayworth whose photo of Charlotte Christensen, assistant professor of physics, and students under a blanket of stars at the Conard Environmental Research Area (CERA) was voted best of show for September 2019 by the University Photographers’ Association of America. This was the first time in Hayworth’s seven years entering the monthly contest that he won best of show. His entry was up against nearly 600 others in eight different categories. September typically has the largest volume of contest submissions because it includes June, July, and August.